​Na’ama Lion is well known in the Boston area as a versatile performer on early flutes. She has explored medieval music, playing with “Sequentia”; Renaissance music with the Renaissance flute quartet “Travesada”; Baroque, Classical and Romantic music with numerous groups, including La Donna Musicale, Boston Baroque, Handel and Haydn Society, Boston Cecilia, Arcadia Players, Grand Harmonie, and overseas with Academia Daniel and Barrocade orchestra. She is also a committed performer of new music, and has had new pieces written for her and her various ensembles by composers John McDonald, Jorge Ibanez, Atsushi Yoshinaka, Paul Brust, Murray Barsky, Marti Epstein, Robert Carl, and pre-eminent Israeli composer Leon Schidlowsky. Recently she has collaborated with the crossover ensemble “Rumbarroco” playing Latin American music.

Na’ama holds a Doctoral degree from Boston University, a Soloist Diploma from the Arnhem Conservatory in the Netherlands, and a BMus. degree in modern flute performance from the Tel Aviv University. She teaches at the Longy School of Music and directs a chamber music program at Harvard College. She is a sought-after teacher at summer workshops, including Amherst Early Music and the International Baroque Institute at Longy. Na’ama has recorded for Deutsche Harmonia Mundi, Telarc and private labels.