Weekend Classes April 15 & 16

From its origins in early medieval Europe, the hurdy-gurdy has captured the imaginations of musicians, audiences and artists. This curious and compelling instrument has worn many mantles over the centuries: solemn fixture in sacred rituals, staple at the courts of kingdoms of legend, rabble rouser at raucous parties and companion of genteel ladies and blind beggars. Discussion topics include the timeline of the instrument and where one may have found it throughout history, the repertoire and where to source it, and contemporary communities and marketplaces for hurdy-gurdies. Participants with their own hurdy-gurdies will be encouraged to demonstrate their instruments in class. Open to all.

Duets by Lassus, Morley, Gibbons, Bach, Genzmer and Geysen. Join Alison for a session of duets from the 16th to 20th centuries, chosen for their rhythmic and metric sophistication - so beautiful, but often prone to trip us up. An exploration of ideas and techniques for improving your ability to hold your own in counterpoint old and new. C and F instruments will be needed (SAT). Open to recorder players mid-intermediate level and up. Pitch: A=440

Bring your viol to a virtual consort with Larry Lipnik and Ros Morley exploring a century of trios for viols; from Henry VIII’s Songbook to the music that might have been played by the Princes Charles and Henry, sons of James I, and other royal patrons.  

The session is geared towards players of all sizes of viol; in “Round Robin” style, each piece will be played numerous times so that all sizes of viol can join in.  The repertoire will include music by William Byrd, Edward and Orlando Gibbons, Elway Bevan, Anthony Holborne, Thomas Lupo, Giovanni Coprario and the Anonymous composer who wrote for Henry VIII’s first viol consort.  Intermediate to Advanced—all are welcome. Pitch: A=415